Ensemble Instrumental de la Mayenne
Founded in 1988, the Ensemble Instrumental de la Mayenne is the main architect of the musical season of Mayenne Culture (local cultural agency). The orchestra seeks to create a space for classical and contemporary music in Mayenne and to promote it by reaching out to new audiences. In October 2020, this multifaceted professional ensemble has appointed Chloé Meyzie as the new music and artistic director.
The orchestra’s enterprise in favour of classical and contemporary music in Mayenne focuses on three types of actions:
live musical performances for all types of audiences
concerts mainly aimed at secondary school pupils, which seek to stimulate their interest and develop a culture around music in local schools
initiatives among students from the conservatory, designed to favour a deep understanding of the relationship between musical training and professional live performance
Production Manager
Sonia Lamy
02 43 67 60 92
sonia.lamy@mayenneculture.fr
communication
Andréane Misériaux
02 43 67 60 91
andreane.miseriaux@mayenneculture.fr
Brochures
Opéra Dordogne-Périgord
Founded in 2021 at the initiative of conductor Chloé Meyzie, Opéra Dordogne-Périgord (formerly Labopéra Périgord-Dordogne) has, in just a few years, become a key operatic player in its region. For its artistic and musical director, the primary ambition was to launch an opera project in an area that lacked one, by involving local resources.
For the past five years, Opéra Dordogne-Périgord has been thriving thanks to strong community engagement. The entire region has mobilized around opera. Our productions are not just artistic and cultural endeavors—they also serve as educational tools and societal drivers. Transmission, inclusion, local engagement, connection with the people of Périgord, and artistic excellence lie at the heart of our mission.
Producing one repertoire opera per year, the company involves students from technical and vocational training programs in creating stage elements, sets, costumes, hair, and makeup, working directly alongside professional artistic teams. In addition, professional opera singers and musicians perform with a large symphony orchestra and a community chorus made up of amateur singers from Périgord. Nearly 30,000 audience members have attended performances since the company’s inception.
In September 2025, Opéra Dordogne-Périgord sought closer ties with the broader network of operatic institutions. In this spirit, a multi-year partnership is being launched with the Opéra de Limoges, a nationally recognized opera house. This collaboration includes support for stage productions, reuse of set structures, mentorship for partner vocational schools, artistic cooperation around vocal practices with local communities, and joint communication efforts.
Opéra Dordogne-Périgord now fully embodies a public service mission for opera within its local territory, Périgord, and positions itself as an essential player within the lyrical arts ecosystem and the broader public performing arts sector.
Handing down knowledge and supervising musical ensembles
Chloé actively perceives music as a powerful factor in the reinforcement of social ties. She accordingly liaises with local cultural stakeholders to conceive projects meant to reach out to new audiences. She is also acutely conscious of the issues related to the right of equal access to arts and cultural wealth, especially when it is known that only 4% of the population attends operatic performances. This idea persuaded her to set up workshops and organise various types of musical events with different aesthetics – small format concerts and operas for instance – in the interests of promoting music in unexpected places.
Transmission and collective musical experiences are main pillars of her practice. Chloé holds a diploma in the management of musical organisations – DADSM, Diplôme d’Aptitude à la Direction des Sociétés Musicales. She works to develop ensembles reachable for non-professional musicians whilst advocating for the professionalisation of their leadership. She is also regularly invited to host training sessions in conducting.
Quick Q&A:
What do your commitment and actions devoted to the transmission of a musical heritage represent to you?
I am particularly sympathetic to the popular education movement. I came to believe very early on that everyone could progress no matter their age. An orchestra – and collective musical practices in general – promote personal fulfillment, social diversity and play an essential part in reinforcing social ties by demanding an active commitment from every participant. Enlightened by this idea, I have wished to take on the role of a guide to work with youth orchestras and to develop musical ensembles specifically designed for amateur musicians.
The meaning of my commitment can only be understood in light of these strong beliefs. It shone through my involvement in projects with the association Orchestre à l’Ecole – who promotes musical practice among the youth – and in past and recent collaborations with multiple orchestras of the Confédération Musicale de France and the Grand Est Regional Music Center « Cadence« .
How do you perceive your activity as an artistic guide?
I intervene in the management of a variety of musical associations, mostly wind and symphony orchestras, music academies, and in events such as musical training sessions. My educational approach is founded on the idea that it is essential to arouse the curiosity of musicians, pupils and beginners via the experience of the orchestra – passing on the joy of playing in a group and encouraging them to know more about the repertoire. I also help with the structure of non professional orchestras and accompany conservatories in the development of their musical ensembles.
My role as an artistic advisor leads me to guide orchestras in their choice of a repertoire and to conceptualise original artistic projects for them. I also advocate for a professional leadership in charge of amateur orchestras. I am regularly invited to host training sessions in conducting for various types of learners, i.e. managers, coordinators, music teachers and aspiring conductors.
